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In my young days,

I had tasted only gladness,

But loved to mount the top floor

But loved to mount the top floor To write a song pretending sadness.

And now I've tasted

Sorrow's flavors, bitter and sour,

And can't find a word,

And can't find a word,

But merely say, "What a golden autumn hour"

Many actions have no results——they come to naught.

Don't ever say, This is very serious. For sixty years I have been hearing that things are very serious.

.......

It is very serious to man, to live, to carry on. And yet it is also true that, as the Italian minister suggested, life is very simple, very beautiful; and that it has been going on now for some millions of years.

A young person is tempted by every possibility, and the possibilities are infinite. Limiting himself to a choice irks him. He wants to have every kind of friend; to embark upon every kind of career; to experience every kind of love. But one of life's conditions is that he must limit himself; he has to choose. Then, and only then can he live deeply and steadily.

In the general survey of Chinese art and Chinese life, theconviction must have been forced upon us that the Chineseare past masters in the art of living There is a certain whole

hearted concentration on the material life, a certain zest inliving, which is mellower, perhaps deeper, anyway just asintense as in the West. In China the spiritual values havenot been separated from the material values, but rather helpman in a keener enjoyment of life as it falls to our lot. Thisaccounts for our joviality and our incorrigible humor. Aheathen can have a heathenish devotion to the life of thepresent and envelop both spiritual and material values in oneoutlook, which it is difficult for a Christian to imagine. Welive the life of the senses and the life of the spirit at the samemoment, and see no nece...

如果我们问，当今中国外国语言文学界，为何不能像早期西南联大外文系那样，培养出诸 如钱锺书、曹禺、穆旦、李赋宁、王佐良、许国璋那样的大师级人物？这个问题确实会困惑许多人。如果 仅仅说那是一个产生大师的时代，这恐怕缺乏足够的说服力。陈寅恪先生在纪念王国维碑文里强调的“独立 之精神，自由之思想”恐怕是一个重要原因。

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